|
Anahita
Gallery, Inc.
Fine
art, photography & textiles from Central Asia.
|
Anahita Gallery,
Inc announces a
new gallery location, new show, new scene!
Anahita International
Photography
616 ½ B Canyon Road
Santa Fe NM 87501
505-231-7216 [NEW!]
|
 |
Anahita Gallery,
Inc., is a photography-only gallery specializing in vintage and
modern international photography with a focus on Russia and Central
Asia, Japan, Southeast and South Asia, Africa and the Near East.
Gallery
Location: 616 ½ B Canyon Road, down Canyon Alley, Santa Fe NM 87501
Winter Hours: 11 am –
5 pm Monday. Thursday. Friday. Saturday Late hours and snacks on
Friday nights!
Current
Exhibition
Devil
at the Crossroads
Jean-Pascal
Imsand (1960-1994)
Like
the music of American bluesman Robert Johnson, played in a Swiss
mode
… the artist finds trains, death, and a beautiful woman at the crossroads.
Exhibition:
October 26 to December 31, 2007 Opening: October 26 5-7 pm
Special event! Lecture by internationally acclaimed photography
specialist
Lorraine Anne Davis in the gallery, 5:00 pm on Friday, November
2nd! Don’t miss it!
The first U.S. exhibition of the works of Swiss photographer Jean-Pascal
Imsand since the artist’s untimely death at the age of thirty-four
in 1994 opens October 26, 2007 at Anahita International Photography
in Santa Fe, New Mexico. The twenty vintage images were printed
by the artist and have been released by the Fondation Jean-Pascal
Imsand especially for this Anahita gallery show. The exhibition
draws on Imsand’s series of montages, cityscapes, and portraits
to demonstrate Imsand’s stylistic range and the artist’s
famed mastery of mood.
Jean-Pascal
Imsand remains a dark and in many ways mysterious figure despite
the numerous publications of his work and his unquestioned stature
in the history of late 20th century European photography. Imsand
was one of the last generation of artists to work by hand in the
darkroom to create photomontages, or as he preferred, the
French term assemblages, in which he used steam, clouds,
and deep shadow to construct dreamlike visions. Imsand achieves
equally dramatic effects in his "straight" photography,
notably in the urban cityscapes of his hometown Lausanne. Here,
the only human figures are the wary inhabitants of an often threatening
environment - reminiscent of the gothic works of Paul Citroën
or Fritz Lang's film Metropolis. In contrast, his portraits
are tender, with gentle humor, especially those featuring his beautiful
wife, the actress Sabina Scullari.
Imsand’s
formal concerns are always paramount, and it is this focus on the
abstract qualities of an image that sustains and gives coherence
to Imsand’s work, regardless of the subject matter or whether
he takes a "straight," montage, fragmented or minimalist
approach to each particular photograph. While the "message"
of each photograph may include elements of the political, the documentary,
or visionary, the formal rigor beneath the message is what compels
the viewer to look, and then look again. Even in his commissioned
works (a source of much strife with his editors, except in the case
of the more avant magazine "du"), this dedication to his
personal vision resulted in the compilation of a major body of unique
works even during his short lifetime. Imsand’s edgy, dark landscapes
and attenuated, ghostlike figures are a forceful artistic challenge
to the clichéd notions of Switzerland as a land of stolid
virtue, chocolate, and banks.
The
first retrospective exhibition of Imsand's work was a joint-project
between three major Swiss photography institutions conceived and
produced by the Fotostiftung Schweiz (Swiss Foundation for Photography),
Winterthur, the Musée de l'Elysée, Lausanne, and the
Galleria Gottardo, Lugano. (A list of other exhibitions and books
on the artist is attached below.) Although Imsand’s works
have found an important place in museum and private collections
worldwide, the Anahita International Photography show of twenty
Imsand prints in Santa Fe is the first U.S. private gallery
exhibition of the artist’s oeuvre.
The Fondation
Jean-Pascal Imsand holds copyright to all works created
by the artist Jean-Pascal Imsand. Established in 2000, the aim of
the Fondation Jean-Pascal Imsand (FJPI) is to keep
Imsand's work and its documentation together, to maintain its proper
record and to make it accessible to the general public through publications
and exhibitions. The FJPI has entrusted the artist's
archive for safekeeping to the Fotostiftung Schweiz (Swiss
Foundation of Photography) in Winterthur, where researchers, curators
and other professionals can study the works by appointment. Proceeds
from this limited sale of the artist's work will be used to further
the aims of the FJPI.
Exhibitions
- Jean-Pascal Imsand
- 2006 Jean-Pascal
Imsand – Photographer, Istituto Svizzero di Roma, Rome (solo)
- 2006 Jean-Pascal
Imsand – Photographer, Spazio Culturale Svizzero di Venezia, Venice
(solo)
- 2005 Jean-Pascal
Imsand – Photographer, Galleria Gottardo, Lugano (solo)
- 2004 – 2005 Jean-Pascal
Imsand – Photographer, Musée d’ Elysée, Lausanne
(solo)
- 2004 Jean-Pascal
Imsand – Photographer, Fotostiftung Winterthur (solo)
- 1995 Imsand
- Père et Fils, Espace photographique de la Ville de Paris
(cat.)
- 1993 - 1994
Aus der Romandie, Fotomuseum Winterthur
- 1993 Jean-Pascal
Imsand – Vision, Galerie zur Stockeregg, Zürich (solo)
- 1993 Jean-Pascal
Imsand – Kreis 5, Scalo Books & Looks, Zürich (solo)
- 1993 Jean-Pascal
Imsand – La clef des songes, Galerie Salon d’Art, Brussels (cat.)
(solo)
- 1992 - 1993
Jean-Pascal Imsand – Fotomontagen und Brocki-Land, Galerie de
Ballens, Ballens (solo)
- 1992 En Avion,
Palais de Tokyo, Paris
- 1991 Voir la
Suisse autrement, Musée de l’art et de l’histoire, Fribourg
- 1991 En bateau,
Palais de Tokyo, Paris
- 1991 Jean-Pascal
Imsand – Passagen, Hyposwiss, Zürich (solo)
- 1988 - 1989
Jean-Pacal Imsand - Fotomontagen, Galerie zur Stockeregg, Zürich
(solo)
- 1988 Grand
Prix Européen de la Photographie, Arles, Rencontres Internationales
de la Photographie
Publications
- Jean-Pascal Imsand
- 2007 Creative
Journey - Jean-Pascal Imsand, Lorraine Anne Davis, B&W
Black and White Magazine, No. 54, October 2007.
- 2005 What
Is It Worth?, Jean Pascal Imsand, Balancing Parallels in European
and American Sensibilities, Lorraine Anne Davis, B&W Black
and White Magazine, No. 36, April 2005.
- 2004 Jean-Pascal
Imsand, Fotograf. Lars Müller (Hrsg.), Wettingen, 2004
(German, French and English Edition.) Galleria Gottardo, Lugano,
2004 (Italian Edition). Texts by Dieter Bachmann, Jean-Christophe
Blaser, Martin Gasser and Fabio Pusterla.
- 1996 du / November
1996. Suburbia. Das Leben der Vorstädte. (Selected
photoessays of the planned book project "Zürich – Kreis 5")
- 1993 du / March
1993. Fotografin Gisèle Freund. Der Archipel der Erinnerung.
(Portraits)
- 1992 du / December
1992. Nicht zuhause. Migranten der Literatur. (Portraits)
- 1992 Noir
et Blanc. Jean-Pascal Imsand. Sabina. In Leica Fotografie
International, Hamburg, 4/1992.
- 1992 Vision.
U. Bär Verlag, Zürich, 1992. 20 Fotomontagen. Foreword
by Patrick Roegiers and epilogue by Charles-Henri Favrod.
- 1991 Hans
Schweizer - Skulpturen. Niggli Verlag, Heiden, 1991.
- 1991 du / February
1991. Kunstzeichen-Zeichenkunst. (Artist Portraits)
- 1990 Lausanne.
Une Jeunesse. 24 Heures, Lausanne, 1990. Texts by Pierre-Jean
Crittin and Frédéric Pajak.
- 1989 du / May
1989. Les Romands. Die fernen Nachbarn. (Photomontages)
- 1988 DANA.
Editions du Griffon, Neuchâtel, 1988. Texts by Bertil Galland.
Gallery
Address: 616 ½ B Canyon Road, Street, Santa Fe, NM 87501
Mailing Address: P.O. Box 5827, Santa Fe, NM 87502
Tel: 505-231-7216
Fax: 505/820-1414
Photo
websites:www.photocentralasia.com
and www.photorussia.com
For
information: Kate Fitz Gibbon or Andrew Hale 505-231-7216
Email info@anahitagallery.com
Anahita
Gallery Inc.
616
½ B Canyon Road Santa Fe, NM 87051
This site developed by WebWind
Productions
© Copyright by WebWind
Productions 1998, 1999, 2000, 2001
|